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Young stage augsburg

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Select an account and get started. Wo 13 dec Neufundland - Soho Stage - Augsburg. Ma 30 okt Vr 13 okt Van Holzen - Soho Stage Augsburg.

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Vr 16 sep Vr 9 sep The Answer Is My drumstudent Theresa E. School-note 1 in Drumming! I am a little proud My 5-year old student discovered the 16th beat on the drums!!

On the way to my Studio!! Very focused on the music Stay tuned for our next Show!!! Sections of this page. Email or Phone Password Forgot account? However, after the relaunch HR offered the in-house writer Manfred Jenning to realize the concept of a series Die Geschichte der Muminfamilie and the Puppenkiste returned to its original station.

On every day of the filming, only three to four minutes of actual film were produced. The TV series soon became independent projects and were thus separated from the theatre productions.

This is the reason why the famous TV stars were never actually seen on stage in Augsburg. Many of early productions are today ranked among the classics.

One of them is the first-ever film series of the Puppenkiste, which was produced in The first series was soon followed by a second one, "Summer in Moominvalley", produced in The early films were filmed in black and white, but the success of the Jim Button series led to a remake in filmed in colour.

Other early productions of the Puppenkiste were "The little fat Knight" Der kleine dicke Ritter , , an adaptation of Robert Bolt 's play The Thwarting of Baron Bolligrew , "Splashy the Squid" , by whose careless behaviour nearly everything was destroyed, and "The Tomcat Mikesch" The Puppenkiste was produced by Hessian television broadcaster Hessischer Rundfunk from until a dispute over the rights to DVD licensing ended the relationship after 40 years.

The Puppenkiste has been in colour since One of the best known and most popular productions of this period was probably "Impy's Island" Urmel aus dem Eis from Max Kruse became one of the authors whose works were most often made into films.

He provided the source material for "The Lion is on the loose", "The Lion comes flying" and "Well roared, Lion", as well as for another Impy film, "Impy is playing in the castle Since the early s Strubel had already worked as a narrator for the Puppenkiste.

With the shows "Nature and Technology" and "Think and Thought" — , he had also created and realised his own scientific magazine series for children in which the Puppenkiste puppets featured.

Instead of employing well-known authors that had already provided the Puppenkiste with successes, Strubel hired young authors for the television adaptations: The universe became a new destination for Strubel: On April 16, , a scheduled performance had to be aborted after its beginning because in the TV show Wetten dass?

Some of the puppeteers took some of the most famous puppets to the show, which was broadcast on the channel ZDF, so that they unexpectedly appeared on television on that day.

The film, directed by Michael F. Ralphi is a bear puppet, who is going on journeys into the real world to explore new things.

Every time, he sets out from the Augsburger Puppenkiste and travels all over Bavaria investigating how businesses work and explaining it to children.

For the Christmas time, he explores the tradition of gifts and Christmas cribs and visits a factory which produces firework rockets.

The Puppenkiste also produces documentaries, which are aimed both at children and adults. During the Mozart year?

In this documentary Kasperl finds out things about the famous composer??? Both documentaries were, however, only released on DVD. For their fiftieth anniversary, the Augburger Puppenkiste toured Germany for two years and was sponsored by the book sales club "Club Bertelsmann".

Since the puppet theatre has toured through German paediatric clinics, performing "The little kangaroo and the scaredy-hare" in hopes of encouraging sick children.

From April 29 to May 7, the play was also performed three times a day by the Puppenkiste in Augsburg's twin city Amagasaki in Japan.

In another tour was launched that was aimed specifically at kindergartens. By watching Peter Schneerbaum's play "Paula and the elfs from the box" children are supposed to learn how to deal with their emotions.

In the context of project "Papilio" of the Beta-Institute the play was created using scientific knowledge. As part of the renovation of the Heilig-Geist-Spital, the whole stage was moved to a different part of the house from the left to the right, seen from the entrance.

Since 6 October , the Puppenkiste has a museum, located on the first floor of the Heilig-Geist-Spital building, directly above the theater halls.

This had been a long-time dream of Hannelore Marschall-Oehmichen. The most famous marionettes like Urmel , Jim Knopf and Kalle Wirsch can be seen in a permanent exhibition.

Special exhibitions often dedicated to specific topics show other puppets from the house's own collection as well as from other theaters.

These temporary eshibitions change every four months.

The new Saison has started today A Rhapsody in Blue That little Angel could be my next drum-student Kili plays the one-handth-beat for the first time My drumstudent Theresa E.

School-note 1 in Drumming! I am a little proud My 5-year old student discovered the 16th beat on the drums!! On the way to my Studio!!

Very focused on the music Stay tuned for our next Show!!! Sections of this page. Email or Phone Password Forgot account? Explore local businesses on Facebook.

He took over the management from his parents in Hanns-Joachim Marschall retired from the theater and died in His wife Hannelore, however, continued to carve the figures and supported the theater again and again.

He accepted her inheritance after her death on May 16, In the course of years the space at the Rotes-Tor building became too small for the theater.

Within the means of the reconstruction of the Heilig-Geist-Spital and plans for the park Kulturpark Rotes Tor further premises were provided by the city of Augsburg in A new theatre hall, which is located exactly opposite to the old one, was established and opened in October The name "Puppenkiste" puppet box or puppet chest goes back to the founder of the theatre, Walter Oehmichen.

When his first puppet theatre was destroyed in a fire, he wanted to create a new one which was easily transportable. He came up with the idea of a wooden transport box, in which he stored all of his puppets and the actual puppet theatre.

The wooden box does not only feature prominently in the name of the theatre, but also inspired the trade mark of the Puppenkiste: Across the top covers, the name "Augsburger Puppenkiste" is printed, along with the addition "Oehmichens marionette theatre".

These box lids have long since become the official trade mark of the Puppenkiste. Every single film or theatre-production starts with a small sequence of the top covers being opened.

In the actual theatre, the stage is covered by two enormous box lids 0,90x 2 metres. For the TV productions, special cover flaps were produced: These very box tops were used mostly unchanged since the end of the s in almost all TV productions of the Puppenkiste.

For the production of "Der Raub der Mitternachtssonne" The theft of the midnight sun , a so-called "Insertkasten" insert box was designed to fit the screen aspect ratio of Only the programs done entirely by the Puppenkiste , or those that were supposed to stand out from regular productions of the Hessischer Rundfunk hessian broadcasting , would do without the famous box tops with their high recognition value.

Worth mentioning are the numerous episodes for the German kids' program Sandmännchen little sandman — , 'Die Museumsratten' the museum rats — , 'Ich wünsch' mir was' I'm wishing for something — , 'Wir Schildbürger ' , 'Natur und Technik' nature and technology — and Ralphi — Many classical fairy tales are played in the Puppenkiste, not only from the Brothers Grimm but also tales from One thousand and One Nights or Wilhelm Hauff.

The Puppenkiste also showed and is still showing many adaptations for adults. Öhmichen staged many plays which he initially was not able to put on stage, like A Dream Play, in the city theater of Augsburg, where he used to work as a director.

Walter Öhmichen himself slipped into the role of the narrating pilot. Again Öhmichen himself was performing, this time as a balladeer.

The poet of the play died four years ago in Cold War times in the GDR and was a rather infamous citizen. But the Puppenkiste does not only stage serious and funny plays and classics such as Dr.

Johann Georg Faust; operas and other musical works, preferably from Mozart, are performed, too. Already in , Walter Oehmichen directed some works, in which music features prominently.

So he staged Peter and the Wolf by Sergei Prokofiev , a symphonic fairy-tale for children, as well as Bastien und Bastienne , a comic opera composed by Mozart.

In , the theatre staged another one of Mozart's works: In the course of the adaption, Marschall slightly changed the opera, cutting out long arias.

He also engaged actors with trained singing voices to speak and sing the parts of the characters. Thus, every puppet had a double cast: Alongside the productions aimed at a young audience, the Augsburger Puppenkiste successfully stages several productions for adults.

Every year, a pantomime show is a popular part of the repertoire. As of the Augsburger Puppenkiste gained popularity throughout Germany: Only a few weeks after the premier of the Tagesschau, aired the first television programme showing the tale of Peter and the Wolf on 21 January.

The show was reenacted in the Bunker of the NWDR in Hamburg and was broadcast live due to the lack of recording technology. So were the following shows which were produced by the Hessische Rundfunk in the Frankfurt television studios until Since the HR dropped its children's programme between and , the Bayerische Rundfunk was another stop along the way of the Puppenkiste.

However, after the relaunch HR offered the in-house writer Manfred Jenning to realize the concept of a series Die Geschichte der Muminfamilie and the Puppenkiste returned to its original station.

On every day of the filming, only three to four minutes of actual film were produced. The TV series soon became independent projects and were thus separated from the theatre productions.

This is the reason why the famous TV stars were never actually seen on stage in Augsburg. Many of early productions are today ranked among the classics.

One of them is the first-ever film series of the Puppenkiste, which was produced in The first series was soon followed by a second one, "Summer in Moominvalley", produced in The early films were filmed in black and white, but the success of the Jim Button series led to a remake in filmed in colour.

Other early productions of the Puppenkiste were "The little fat Knight" Der kleine dicke Ritter , , an adaptation of Robert Bolt 's play The Thwarting of Baron Bolligrew , "Splashy the Squid" , by whose careless behaviour nearly everything was destroyed, and "The Tomcat Mikesch" The Puppenkiste was produced by Hessian television broadcaster Hessischer Rundfunk from until a dispute over the rights to DVD licensing ended the relationship after 40 years.

The Puppenkiste has been in colour since One of the best known and most popular productions of this period was probably "Impy's Island" Urmel aus dem Eis from Max Kruse became one of the authors whose works were most often made into films.

He provided the source material for "The Lion is on the loose", "The Lion comes flying" and "Well roared, Lion", as well as for another Impy film, "Impy is playing in the castle Since the early s Strubel had already worked as a narrator for the Puppenkiste.

With the shows "Nature and Technology" and "Think and Thought" — , he had also created and realised his own scientific magazine series for children in which the Puppenkiste puppets featured.

Instead of employing well-known authors that had already provided the Puppenkiste with successes, Strubel hired young authors for the television adaptations: The universe became a new destination for Strubel: On April 16, , a scheduled performance had to be aborted after its beginning because in the TV show Wetten dass?

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