Rueda de casino moves list
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Rueda De Casino Moves List VideoRueda de Casino Figures
More than nine or ten couples is inadvisable because it gets tougher to keep the circle at a circular shape.
I would suggest an optimum of five or six couples. There are three groups of participants: The caller, who shouts the names of the moves that are to be danced.
He may also call the moves by hand signals in a loud club setting. The leaders, usually the men, who perform as the leading elements in each couple.
The caller is usually a leader as well. The followers, usually the ladies, who perform as the following elements in each couple.
In this text, I will refer to followers as 'ladies'. Leaders usually keep their eyes on the caller. Executing the moves, however, often places them with their back to the caller for a few moments.
Leaders and ladies can help each other: It is a nice gesture to have at least one moment of eye-contact with your actual partner. Steps are small, especially backwards.
Be aware of the space and the local ebb and flow of the movements relative to the nearest neighbors, as well as to the rueda as a whole. The default movement for leaders is counterclockwise, which means that they go backward.
Dancing clockwise is called ariba. In this text, 'In' and 'Out' refer to directions relative to the center of the Rueda circle.
Unless otherwise specified, all turns refer to the ladies turn. Clockwise opening Starting the Rueda beginners course All the couples stand in a circle.
Leaders and ladies stand opposite while the leaders left hand holds the ladies right hand. On the first beat, both step forward to each other, leaders step with their right foot, ladies with their left foot.
The leaders right hand and ladies left hand gently pushes to each other. On second and third beat they both step back to the original position. On the first beat of the second strofe, both step back, leaders left foot, ladies right foot so they are standing side by side, still holding hands.
This is repeated until the caller calls out the opening move. Partners rock, in closed position, in and out of the wheel, poiting up and out, then down and into the circle with their joined hands.
Continues until another call arriba, abajo, dile que no. Counterclockwise forward for the leader around the circle. Partners in closed position. Clockwise backward for the leader around the circle.
Let go of your partners right hand as you both open to the center of the circle. Leaders right arm moves down and under next partners left shoulder to start a cross body lead, a 'dile que no'.
Leaders put their right hand on ladies back and left hand on her right shoulder, move them to your left out of the way and start them on an inside turn.
This is all done in two counts. Quickly move to the second lady to the right. Ladies, once started on the inside turn left turn , continue solo and wait for the next leader to pick you up out of the turn.
With 2 couples, this call has a special feel. To add some flair to it, just as you break to do-se-do around the other leaders, turn your ladies by her R shoulder IT, clockwise.
The leaders must be especially quick to get around in this. Two fingers up Same as Dame Dos, but with two hand claps as you pass through the center.
Depending on your dance school, the Dame Dos move is already done with two handclaps. In that case, this call is not used.
Meanwhile, the lady is doing a turn in the opposite direction, so that you pass each other. Pick her up for a cross body lead to switch into position.
Swing her around in front in time to go back into the basic rueda step, ending with the right hand to left hand push-off. Closed fist held up, arm moves up and down, like pulling on a truckers horn After cross body lead or stop and go, pulse the lady and bring her to the right side under the left arm as she does a half turn to face you, leaders move to where ladies started.
Then step to the inside to pass them. Don't let go with the left hand until the last moment. Closed fist held up, arm moves up and down, like pulling on a truckers horn, with pointer and pinkie fingers up; two fingers means double Same as above but after you start to bring her to the right under your left arm, stop her half way with the right hand on the back, and send her back.
Do the move again this time continue as above. Closed fist held up, arm moves up and down, like pulling on a truckers horn, plus the added turn sign, pointer finger up moving in circular motion Same as above, but after she passes all the way to right under the leaders left arm, with continuous motion the leaders left arm comes down and goes back up.
The leader turns to the right under his arm and immediate goes for the next lady passing his last partner on the inside.
Closed fist held up, arm moves up and down, like pulling on a truckers horn, and Same as the single and double Enchufle, but adding a bit of abuse to the end.
In , the first International Rueda de Casino Multi Flash Mob took place in which people from 67 countries, including cities, danced Rueda de Casino simultaneously.
The differences between the Miami-style Rueda de Casino and the Cuban-style Rueda de Casino are stark, and these differences can be seen throughout the performances of the groups that participated in Many moves have hand signs to complement the calls; these are useful in noisy venues, where spoken calls might not be easily heard.
Most moves involve the swapping of partners, where the partners move around the circle to the next partner. The combination of elaborate dance combinations and constant movement of partners create a visually spectacular effect.
The names of the moves are mostly in Spanish, some in English or Spanglish ; e. Some names are known in slightly different versions, easily recognizable by Spanish-speaking dancers, but may be confusing to the rest.
Although the names of most calls are presently the same across the board, the different towns in Cuba use their own calls. This is because the pioneers of Rueda de Casino wanted to keep others from participating in their Rueda.
Many local variations of the calls can now be found. They can change from town-to-town or even from teacher-to-teacher. There are many different variations of moves in Rueda de Casino.
The circle will either start from "al Medio" normal closed hold with all the couples stepping in and out of the circle or from Guapea stepping forward on the inside foot and backward on the outside foot, tangent to the circle.
Some of the most common moves in Rueda include: Dame, Enchufle, Vacila, and Sombrero. On 1,2,3, the lead taps with left foot while leaning outward holding left arm up.
On 5,6,7, lead bends leftward, taping with right foot. The follow mirrors the lead. Arriba - - Lead and follow in closed position, with lead facing downstream.
Bulla - - una, dos - A loud yell on 5,6,7. Usually called during Al medio, though could be called at other times. Cucaracha - - Stamp inside the circle killing the cockroach, right foot for lead, left for follow.
Dame - - Lead goes to the next follower downstream and Dile que no. Dame dos - - Lead goes to the second follower on the right downstream and Dile que no.
Dame tres - Lead goes to the third follower on the right downstream and Dile que no. Dile que no - - cross body lead. Enchufla - - Lead steps back and pulls the follow past on the right, turn to face the follow.
Keep the elbows bent! Mentira - - Spanish for "it's a lie", called while some other move is in progress, and means that the lead keeps the same follow in a move where normally the lead would go to the neighboring follow.
Una Para Arriba - - Lead goes to the next follow upstream. Pelota Uno - - Enchufla, and before getting to the next follow, clap once on 7.
Prima - - Back break and the lead pulls follow up close with the follow's right arm up and catches follow, spins with the follow, then going to the next follow on the right.
Sacala - - Lead the follow into the centre of the circle and back out. Sientate - Spanish for "sit-down", this is usually called at the end of a song as the last move.
Starts like Siete, lead preps on 7 of the previous count by putting the left hand into the circle, then swinging it back out.
The follow then spins clockwise on 1,2,3 ending up with their right shoulder on the chest of the lead, and seating on the lead's lap.
Sombrero - - Lead switches hands, right to right, left to left, then spins the follow around clockwise while walking the follow around to the right side of the lead.
Drop the arms down, then back up, over the head and onto the shoulders. The lead should have their right arm around the back of the follow and the left hand over their left should.
Un tarro - - on 5,6,7, lead steps back, puts the follows right arm up and pulls themselves under going to next follow.
Abanico - - As shown. Arcoiris - - Start like setenta and walk the follow around, then step in front with right hand up.
Then lift both hands and start to spread them and the follow should spin to end up back to back. Drop the hands low, then turn toward the follow your right and duck back under the arm and the lead should be in a hammer lock at this point.
Babosa - - Lead takes both hands, back steps and pull the the follow into a "hug" or sweetheart move on the lead's right both facing inward.
The lead holds the right hand and spins the follow out to the next lead on the right while looking for the hand of the follow on the left.
Enchufla the follow and then cross body. The enchufla is only done if an enchufla complicado is not called. Besito - - As shown,start like sombrero, but walk the follow behind as the lead keeps their right hand low.
The follow should end up on the left hand side of the lead and the lead puts their left arm over onto the should over the follow.
Then kiss the cheek of the follow. Lead then turns clockwise under the arms and then enchuflas the follow back into a sombrero. Balsero - - Start like Sombrero but instead of putting the arms on the shoulders, bring the follow around behind, making sure to get the follow behind and to the left of the lead on 7, with their right hand on the lead's right shoulder.
Then spin the follow around in front and put them into a Sombrero on the right side. Finish as a normal Sombrero. Cagua - Starts similar to Sombrero with the follow ending up on the right side of the lead, with arms around each other's shoulders.
From there and on the second eight count, the lead puts their right arm under the left arm of the follow and asks for the right hand.
The lead's right arm should still be tucked around the follow's left arm with the back of the lead's hand resting on the follows hip or stomach.
The follow then back rocks and ducks under turning counter clockwise as lead pulls with the right hand up and over the head of the follow.
The lead and follow should be facing each other with left over right. On the next eight count, the follow back rocks again and is pulled into a sombrero on the right side of the lead, right hand on follow's shoulder, left on lead's shoulder.
Cross body back to neutral. Carrusel - - Starts with an Enchufla , then Sacala , then enchufla pulling the follow past to the next lead.
The lead grabs the hand of the next follow ahead and repeats the Sacala then Enchufla three times, on the fourth follow, do a cross body lead to end.
The leads will naturally stay facing out of the circle for most of this move. En Chavarria or Tres Dos - - This is called off a cross-body lead and on 1 of the next eight count while still in a right to left hand hold and facing into the circle, the lead with bent legs, plants with their right foot and then points their feet first left, right and then left again.
The follow does the opposite, planting their left foot and doing a right, left, right shifting motion. This is similar to Coca Cola which can be called off a cross body.
Coca Cola - - On a cross body lead, the lead spins the follow by the shoulder and with the same left hand, pulls the follow behind all on 1,2,3.
On 5,6,7, the lead finished the cross body back to the left. Cubanito - - Start with an Enchufla , and the lead then steps in front of the follow facing into the circle, switching hands.
The lead and follow then back rock twice and on the third back rock, the lead puts the right hand on their shoulder and finishes like Balsero.
Dame con Chocolate - - On 1,2,3, lead turns counter-clockwise facing away from the follow and on 5,6,7 both jump back with hands up and leaning forward slightly.
Dame Diente - Prep on 7 with the left hand, then check the follow in a wrap follow turns clockwise and unwrap. On the next eight count, the lead then wraps in, turning to the left, touches hands on 5 right to left then unwraps.
Then, prepping on 7 again with the left hand, the follow is wrapped and the lead wraps as well, making sure to switch hands from left to right.
The initial prep is done with the lead's left to the follow's right and then as the follow goes into their wrap, the lead switches to a right to right hand hold, making sure to bend their own arm around the follow.
Then both follow and lead unwrap and do a vacilala con dos with Lead and Follow both doing spins. El Dedo - - As shown. El Dedo Complicado - - Similar to El Dedo, but on 5 while leading the follow around, back step and pull the follow's arm over your shoulders.
Then grab the follow around the waist and lead the follow around for an eight count. Al Directo - - The lead pulls the follow past on the right and claps the hands of the next follow on 5.
Al Directo Doble - - Like Al Directo, upon clapping the hands on 5 of the next follow, the lead spins to the right going past and connects with the next follow.
The leads move clockwise and the follows walk counter-clockwise. El Dos - - Enchufla and while stepping in front of the follow, the lead asks for the followers right hand.
Then on the next count, the lead presents the left hand and continues in a cumbia motion with the follow behind. Step to the left and right, and lastly the lead keeps the right hand high and pull the follow around with both arms, spins the follow and does a sombrero.
El Doce - - As shown. El Nudo - - Setenta, lead follow around back and then with your right hand blind lead follow from behind you around to in front, then setenta.
Enchufla Avion - Starts with an enchufla and the lead holds the right hand of the follow with their left and steps forward with the lead's right arm over the follow's right.
The lead should be standing with the follow's arm at chest height at the end of the eight count. The lead then ducks under the follow's arm to the right, bringing the follow around.
The lead should end up with their right hand over the right shoulder of the follow and lightly on the back of the neck of the follow.
The lead, with their left arm, then rotates the follow's right arm up and around clockwise as the follow ducks their head under the right arm of the lead and the lead keeps their right hand on the back of the follow to guide both in half turn.
The lead should have their right hand on the back of the follow and as both move continue to move around each other, and the lead pushes the follow toward the next lead.
The lead then takes the partner ahead in a cross body lead. Enchufla con Dracula - - Enchufla and as the follow goes by, make a mock attempt to bite their neck.
Enchufla con pa - Starts with an enchufla, switch hands and step ahead upstream of follow. Lead then steps into circle and on one says "Pah".
Lead the follow behind into the center of the circle as lead goes into hammer lock and follows, like a sacala, says with "pah" sound on 5. Lead is doing a cross step at this pint.
The lead then backs out to the left and brings the follow in front and to the left while spinning the follow into a counter clockwise turn.
At this point, lead is on the right facing in and follow is on left facing out with left arm under right. Lead the grabs the right hand of the follow on the right and steps forward and backward as follow steps backward and forward for an eight count.
Then on the next eight count, lead turns the follow, while still holding both lead's hands, on the left clockwise and hair combs the follow's hand over the lead's head, closely followed by the hand of follow on right, with whom is done a cross body.
Enchufla Complicado - - Enchufla, and as the follow steps in front, the lead grabs the follows left with their right, then steps under, asks for the hand behind the leads back and the enchuflas again.
Then grab the right hand of the follow and present it to the next lead on the right while looking for the hand of the follow on the left.
Enchufla the next follower and then back to neutral. Enchufla al Medio - - Enchufla, lead steps into the circle, then back out on the follows right.
The follow and lead then alternatively step into and back out of the circle. The following moves are then called:. Enchufla Rodeala y Mambo - Starts like Seis with an enchufla, and the follow is lead behind and back in front of the lead.
When the follow is standing in front facing into the circle, a mambo is started on 7. The lead starts on the right and on left for follows and is done for five steps i.
While doing the mambo, the lead keeps their right hand on the shoulder of the follow and can initiate the back-rock by pulling on the shoulder.
The lead then back rocks left then right, while leading the follow into a back rock on their right and left for an eight count.
On the next eight count, the follow back rocks with the right foot again and then spins counter-clockwise to the right and is picked up for a cross body lead.
Leads can also spin before picking up the follow. Enrocate - - Two cross body leads in a row over two eight counts, going Evelyn de Cuba - - Starts with an enchfula doble and when stopping the follow the second time, the lead spins to the right and faces the follow.
The lead should be right hand to right hand with the follow. Another enchufla, and the lead does a hook turn helps if the hand doing the enchufla is kept low and the lead pulls the follow behind their back to pass to next lead.
The lead then picks up the next follow to the right. Estrella Doble meaning two stars - Starts with an enchufla, then the leads walk into the center of the circle heading counter clockwise and put their left hands on the left shoulder of the lead ahead of them.
They then walk around the circle for two eight counts and on the 5,6,7 of the second eight count, the leads change direction back to clockwise and put their right hand on the right shoulder of the lead in front.
The follows move in the opposite direction and switch direction at the same time, again going the opposite direction. After changing directions, both leads and follows walk in their respective directions for another eight count and on the second eight count they should be close to their original partners.
The leads then do a hook turn to the right and face their original partner, prepping to the right, in a right to right hand hold. On the next eight count, the lead then turns the follow around clockwise in place and as the follow comes around to face the lead again, the lead does another hook turn but stops when facing upstream away from the follow.
The lead should be facing the next follow ahead of them and have, from behind them, the follow's right hand on the lead's right shoulder. On the next eight count, the lead then drops the right hand on the right side of their body and throws it up in a arc over their body, while immediately doing a cross body lead of the next follow upstream.
Fly - - On 5,6,7, jump to the right and clap killing the "fly". Mini is a sub call and the same movement is performed, but don't actually clap.
Festival de Fly - Starting on 1, clap up to the right, then down to the left, the in front, clap once, then twice more. The leads then cross arms and the follows pull their fists back on either side of their bodies and thrust their chest out.
Everybody goes "huh" at the same time. Then clap once and then three quick claps and cross body the follow on the right.
La Havana - - Starts with a two handed enchufla with check, then repeat. On the third two handed enchufla, the lead does a hook turn under and pulls the follow's hands down in front while the lead faces into the circle.
The lead then lifts their right arm up, then the left and, turning to the right a bit, leads the follow into a hammer lock.
Unfold the hammer lock with a back break and then momentarily hook the follow's left arm with the lead's right elbow. Cross body back to finish.
La Isaura - - Enchufla and as the lead passed the follow on the left, continue onto the next follow on the left, cross body, then go to the follow two down, i.
The pattern is one to your left, two to your right and then one back to the original partner. Jardin - - Enchufla and grab the follow's left hand with right and walk into the circle.
Then go under the arm raised by the lead on your left. Then wait for the Bota call then grab the hand of the follow on your left and enchufla the follow back into the slot, then cross body lead the follow.
Make sure to "explode" the circle when doing bota. Juana la Cubana - - Exactly as shown, start with sombrero, then keep your left hand high and spin the follow around to your left putting your left hand on the follow's left shoulder.
Then pull the follow back to your right, keeping the follow's right hand low and fold it behind the follow's back and step up beside on the left.
Put the follow's hand behind your head, then pull it out and sacala, and coming back into a sombrero. Cross body lead back to wapea.
La Jenny - - Enchufla, switching hands, then on the next eight count, cross-body lead back to the left and pull the follow behind the lead like paseala.
After switching hands right to right , on the next eight count, pull the follow around in front and then spin the follow into a hammer lock with the follow's arm behind their back.
At this point, the follow should be facing the lead with their right arm behind their back and the lead is facing downstream. On the next eight count, then cross body lead, and catch the follow by the left shoulder.
The lead should be facing inward slightly and the follow outward. On the next eight count, spin the follow to the clockwise and when they are facing the lead, the lead raises their arm and does a hook turn under it, ending up in the circle facing outward to the follow.
The lead then does a strong enchufla putting the follow momentarily in the circle before bringing the follow back into the slot on the right.Do an enchufla and switch to the other laurent lokoli lead, do a cross body and then do a Dame dos con dos with a spin. Finish win a day casino no deposit bonus a normal Sombrero. Agamemnon - - As shown. Cross body back netent casino 200 all list finish. Then back-break sending the follow outward unwrapping the arms into a cross position. Switch back to leaders left hand as they cross. Then sacala the follow, cross body and do El Doce, but on the ending enchufla, follow up with a cross body with a coca cola, ie. The lead should now be facing the follow in an open position. Ladies translator englisch deutsch gerät arm rests on leaders right shoulder, Leaders right hand drops under ladies left shoulder and rests on dividen back, now ready for cross body live on sat daily. Mona Lisa - Starts with an outside turn and the leads puts the hand on the back in order to get around the follow for a full circle, then a siete moderno where the lead catches the follow's left hand. Once facing outward, continue to rotate to your left and back out under their arms.
moves casino list de rueda -Beginning Rueda De Casino ClassWe split up into multiple levels and in case the music is too loud to hear to indicate salsa dance moves. Schulter der Frau; 7: Como una Vieja en el Centro. Arm schwingt nach rechts , Tepp; 2: Schulter der Frau; 7: Check in den Kreis; Esta no me gusta. Dile que no mit Lasso. Männer wie No le llegues , Frau: Schulter ablegen und reH.
Rueda de casino moves list -Rueda de Casino is a style of salsa that originated in Cuba and has It is dancing in couples in a circle and a "Caller" calls out moves for eve. Männer die Frauen immer nach links neigen, nie nur Mitte, um wirkliche Unfälle zu vermeiden! Deine E-Mail-Adresse wird nicht veröffentlicht. Wenn jedes Paar auf einem Strahl zum Kreismittelpunkt steht, d. Enchufe ohne Partnerwechsel, Rückkehr in die geschlossene Haltung. Arme immer gestreckt, Stampf - Stampf - Klatsch - Klatsch bei Tranquilo loco:
The Rueda either ends here, or hold her four beats to continue. As ladies move to leaders left side, leaders circle around ladies so when they stop spinning they are almost on the leaders right side again.
Leaders hold ladies for 3 counts and can then start another cross body. Leaders stay facing center. When ladies are on the right, ready for cross body.
While stomping you should be thinking about getting close enough to the next partner to for a cross body lead.
As you turn you switch the holding her right behind Leaders back. Now leaders continue to turn until facing the lady. The Ladies are on the right, and Leaders are on the left.
Next switch places bring her under your right arm. Now she is left side. Pulse and pull her to your right side. Hold her for 3 counts and be ready for cross body.
Like doing a basic salsa step to the center. This move can be followed by Treinta y tres. Do this 3 times. Pointing to the right, against the normal direction Used in conjunction with other moves means to reverse the direction you would go to your next partner.
In other words after Enchufle you would turn away from your partner instead of walking around them and walk to the partner in the other direction passing her on the inside.
Come around her putting your right hand on her back and cross body. Leaders hold arms, not hands. Continue to dance small steps.
Ladies remain sitting on hooked arms. Everyone starts on their left foot on One. Usually followed by Coca Cola. Next bring them to your left beginning cross body , but stop them when they are parallel to center still in tight closed position.
Continue until next call. Leaders lift left hand and push them through towards center. Leaders right side is away from center.
As soon as ladies pass under leaders arm, bring arm down and snap them back to leaders right side not under arm. Be ready for cross body lead.
Pick up the neighbor lady. With small Ruedas, you can come close and all touch arms in the center of the wheel.
Here you can execute the taro very subtly by exchanging hands almost invisibly in the center of the wheel as you dance.
The leaders take the hand of the partner arriba one by placing your hand over your partner's, but below the next leader, then walk through on the call.
Make sure that there are no other hands preventing you from walking the arriba partner under the canopy of hands into your lead at the call.
The same can be done with the ladies travelling through to the next partner. Invert the hand exchange in the beginning. Can end in la botella by staying linked and dancing around in the circle, then start these tarros from within this linked wheel.
Pick up her other hand with your left. Unwind her, while turning yourself around to your right, clockwise, ending up on the other side of the lady facing abajo in the circle.
Ladies remember that you do not change feet here. All take small steps. End on "alli nada mas", and cross body lead back into the circle.
Lead ladies into an outward turn, clockwise, with your right hand. Then back over her head like an enchufla with the same right hand.
While you do this, step around her into the circle. Keep her to your right. Switch hands, picking up her right hand now with your left.
Take it over her head like an enchufla, bringing her to your right side to end with a cross body lead. Then, on the first pace, leaders all enter the wheel together, making an opening flower with their hands.
On the second pace, the ladies all do the same. Be carefull, don't hold hands to long. This is repeated until another call.
At the call hombres, a la derecha , leaders exit the wheel to the right of the ladies to their right.
Enter the wheel there without moving over. On the second eight count, push the follow outward on 5,6,7 and then pull the follow back on 1,2,3 back into the sweet heart and repeat twice, on the third time, pull the follow back and hook turn under the raised arm to face upstream to the right.
Clap twice on 7,8, and pick up the next follow. Ahorcala - - As shown. Akia - - Lead turns follow with two hand turn around from open position and cross body.
Back rock follow on neck first for eight count, then on left hip on 1,2,3 and then on hip on 5,6,7, rotate follow to right while lead hook turns to left, left hand grabs outside of follow's left hand.
Then enchufla and lead asks for left under right. Cross body, then hair comb lead first right hand and then left. Algodon - Starts like Tunturnun where the follow is put into a hammerlock with the right hand in a hair comb.
However, the hair-comb is a fake and the lead undoes the hair-comb and immediately does an enchufla with a hook turn. While doing a hook turn under the arms, the lead hops on one foot and pulls the follow from behind to the next lead on the left.
The lead then continues onto the next lead as usual. Agamemnon - - As shown. Bebe - - Starts with Balsero , Besito including hook turn, Enchufla into a Sombrero follow on right , Sacala, reverse Balsero and prep on 7 with both hands with follow on right downstream , back-to-back two handed turn putting the follow on the left or upstream, Enchufla into a Sombero and end with Abanico.
Bin Laden - This moves requires a pair of partners and an even number of couples around the circle, starting with the caller and going counter clockwise in pairs.
Starts with an Enchufla and the lead does a hook turn, then the leads grab a left to left hold. The follows is then lead with a Sacala in parallel to the leads.
The leads then turn to face each other and continue to turn to the left and back out under the raised arms of the follows.
As they back under the arms, they switch the hands of the follows with their raised right hands. The leads then lead the new follow in a outside turn and hook turn.
The follow's should be back-to-back and the leads facing each other across the follows. Do an enchufla and switch to the other partner's lead, do a cross body and then do a Dame dos con dos with a counter-clockwise spin.
Control - Start like Sombrero with right over left, spin follow to the right and then hook your right hand behind the head of the follow. Then back-break sending the follow outward unwrapping the arms into a cross position.
Then enchufla and keep the right arm low and wrap it around the follow's back, and the lead spins under the follow's left arm. As the follow goes under, keep the follow's arm straight, then back-break again and pull the follow back into a cross-body.
Conqueta con Meloa sp? Then, on the next eight count, the lead flips their hand hold to face up in order to pull the follow around the back bringing the right arm up over the follow's right arm.
Leads should be facing into the circle at this point. Over the next eight count, the trick is to unfold the arms in front such that the lead can turn to the follow on the right and hold the left arm up and right arm down then spin to the right.
On the next eight count, then duck under the follow's arm from left to right, while still holding the hands. The trick here is to place your right hand on the follow's shoulder and bringing the hand on your back as high as possible.
Come back up and do an enchufla, ending in double hooks, then cross body back to neutral. Enchufla and the lead does a hook turn, then the leads grab a left to left hold.
Do an enchufla and switch to the other partner's lead, do a cross body and then do a Dame dos con dos with a spin. Corona Triple - Setenta, then unravel and hair comb the follow on 5,6,7.
Then sacala and the lead hair combs themself by turning to the left and facing outward of the circle. Unhook the hair comb and turn with the follow into the circle and place the right hand behind the head of the follow not a hair comb, but the back of the lead's hand should be on the neck of the follow.
Then twist the follow under clockwise, by raising the left arm, keeping the right hand on the neck of the follow. The follow will need to duck under slightly.
Then lead behind while the lead turns to the left to face outward. The lead should be in their own hair comb and in the same arrangement as at the start of the pattern, facing outward, right hand pointed out, left hair combed over lead's head.
Unhook the hair comb and lead the follow around until facing into the circle and hair comb the follow. Then lead the follow behind and start a mambo on 7, and while continuing mambo five steps in total , unhook the follow and lead hair combs themselves.
Dame con Azucar - Starts off a dame, on count 7 8 when the lead is leaving the follow, they stand in front of the next follow to the left and roll the hips and upper body on On , jump to the left and cross body the next lead.
Dame con Estilo - 1 While in a left to right hand hold, lead the follow into the circle on 1,2 and spin back out on 3, then walk back out on 5, 6,7.
The lead then steps to the right and spins one the right foot in a complete circle follow's twist counter clockwise on their left and stomps left then right on 6 and 7 and 3 before picking up the follow for a cross body turn.
Dame con Macarana - Pull your lead into the center with their left hand on 1,2,3 and on 5,6 move back out with a plant of the lead's right foot outward.
The follow mirror's with a plant of their left foot. Then swivel right and left on the spot twice, then clap on 5 and spin on the right foot left for follows landing on 6 and 7 with stamping feet.
Pick up the next lead. Dedo de Laso - Starts with a prima and catch the follow on the right, with the lead doing a fake left arm over the head.
Then sacala the follow, cross body and do El Doce, but on the ending enchufla, follow up with a cross body with a coca cola, ie.
Do yet another coca cola and on the last one, the follow spins to the left and the lead spins counter clockwise to the left to pick up the next follow.
Juana la Cubana Complicado - Most of the move is a duplication of Juana la Cubana , however another sacala is added at the end. To start the complicado sacala, the lead's right hand is palm up, holding the follow's right hand.
The left holds the follow's left hand and leads the sacala. As the follow comes back from the centre of the circle, they are wrapped such that the follow and lead end up back to back.
The lead then straighten's and pops their left arm straight and then lifts with the right hand, still palm up. Like Juana La Cubana, the difference is that a second scala is done after the first and the follow is wrapped to the right with the lead's right hand.
The trick is to keep the left arm low and the right arm high. The follow then ducks back under the arms and is lead around back behind the lead into an enchufla.
Juegos de Manos - Setenta then a two handed enchufla and with a momentary hair comb with the right hand over the head. Then another enchufla, and this time, the lead hook turns under the arms, and brings the left arm down low next to the hip and leaves the right hand on the lead's shoulder.
Then the arms are switched one at a time in the following sequence - left arm goes from right to left ending on the left side of the head, while keeping enough distance between the arms, them move the right arm and put it on the right shoulder.
The follow's arms should be crossed at this point. Then move the left arm from the left side of the head back to the right side of the body, then bring the right and move it back to the left side of the head.
Only one hand is moved at a time, starting with the left, then right, left and right. While doing the arms movements, spin around for three eight counts.
On the final eight count, make sure the follow is on the right and cross body them with a two handed grip. Hasta Mana See you until tomorrow - Starts with Prima, lead join hands with the follow on the right, then everyone walks inward and hops back out 3 hops.
Then, on one, spin the follow from the right to the left and with the left hand, lead the follow behind and on the next one, enchufla the follow on the left and leads step into the circle and face out.
Then end like Vascilla con Bum Bum Bah, with leads walking outward and hopping back in as follows walk inward and hop three times back out. Then cross body the upstream follow.
Leonsio Complicado - - Lead the follow in an outside turn with two hands and then step in front of the follow with arms up and crossed.
Bring the left hand over the head drop it down the left and bring the right hand over and drop it down the right. Loka - Starts like Toma Corriente but after the leads have switched places on 1,2,3, they pull their follows past to switch places on 5,6,7 and keep facing the same direction away.
On 1,2,3 the leads pull again with their right hand, this time, the follow goes under arms of both leads between the two leads such that the lead ends up in a hammer lock with their right arm.
The leads then duck to the left under the right arm of the follow and turning to face their own follow, ask for the follow's left hand with the lead's left hand.
Then turn the follow around and pull them to the right into the slot on 1,2,3 and on 5, press, with their respective left hands, the hand of the other follow.
Cross body to finish. Media Prima group move - Start with a Prima and on the 5,6,7 the leads raise their left hand and step backwards, left foot first, under the arm of the follow on their left and stand back up.
The circle should be very close now with the follows facing downstream to the left and the leads facing inward. On the next 1,2,3, the leads grab the left hand of the follow, turn to the left slightly and again holding their arms high, back under the arms, right foot first this time.
The leads should now have crossed hands in front of them. On the next eight count, the leads then spin to the right keeping their hands up and the trick here is to bring the arms back down in front crossed with left on top as the follows dance in place.
Leads then drop the left hand and lead the follow on the right in a El Dedo style move, switching positions. Then enchufla and immediately pick up the follow on the left, crossing in front for a degree, cross body back to neutral.
Micaela - - Lead the follow in an outside turn with the left-to-left hand hold and as the follow comes around the lead spins to the right putting the lead in a hammer lock.
Grab the right hand of the follow. Mona Lisa - Starts with an outside turn and the leads puts the hand on the back in order to get around the follow for a full circle, then a siete moderno where the lead catches the follow's left hand.
Then they are double spun and put into a cross body lead. Morin - Start with a Setenta , and unwrap the follow, then on the next eight count, the lead steps under their right raised arm and spins to face the follow, prepping on seven, with the right hand across the front of the follow.
While keeping the left hand as low as possible the right hand is used to wrap the follow behind the lead and then continue to unwrap.
The lead then puts the right arm over their head in a hair comb and finishes with a Dile que no. Ochenta y Ocho - - Starts with a right to right hand hold and the follow is lead in a counter-clockwise rotation, ending up on the right.
As the follow comes around the lead does a hair comb and asks for the left hand. Then on the next eight count, undo the hair comb and the follow is pulled around back in a reverse sombero like move, with the lead keeping their left hand low.
For the next eight count, the follow is then pulled in front in wrapped with the right hand. On the next eight count, the follow is unwrapped and lead in a blind "pizza man" or spun around the back of the lead clockwise until they are completely around in a hammer lock position.
At this point the follow should be on the left and in a hammer lock position. Then unroll the follow and do an Enchufla with a hook turn for the lead.
While doing the hook turn, the lead watching their elbows!! If done correctly the lead is facing outward and has the follow behind them in a left-to-left and right-to-right hand hold.
Prima la Cadena - - starts with prima, hold hand with partner on left and right. Step back and step forward on next eight count. Then prep the partner on the left and turn her counter-clockwise half turn.
Then turn her back and turn yourself left. Keep your hand behind you so that you have both hands crossed behind your back and you are facing outward.
Then on the next eight count duck to the right and under the arm of the follow. On 5,6,7 then hair comb the right follow's hand over your head.
Then undo and turn the other partner on your left again counter-clockwise for a half turn putting your arm over her head in a hair comb.
Then undo and repeat hair comb with partner on right and cross body lead. Pan Cortado group move - Start with Sombero hand hold and the lead gets into a hammer lock first eight count by pulling the lead all the way around ending up with them on their left, keeping the right hand low and the left hand high going over their head.
On the next eight count, the lead then brings the follow under their left arm as the follow ducks and back under the right arm. The lead should be facing around the circle and the follow should go under the left and back out, butt first, under the right.
On the next eight count, lead drops left hand and does an enchufla and then an sacala with the left hand. As the follow comes out of the sacala, the lead, with their left hand, grabs the elbow of the follow's right arm and puts it under the lead's left arm.
The lead should also pull the follow close and continue their momentum in order to get them into abajo.
At this point, the lead is facing up stream, almost belly to belly with their follow, who is facing downstream. While doing abajo, the lead should be able to grab the right hand of the follow ahead of them with their left hand, forming a closed loop.
Then do a close abajo and on the next eight count, the leads lifts their left hand and, like a cross body lead, pushed the lead under, while pulling the lead ahead of them outside the circle.
The lead steps into the circle and turns to the left to face the follow who is now facing into the circle. On the next eight count, the lead then goes onto the next follow upstream and does a cross body lead back to neutral.
Sandokan - - Starts with a prima, then go upstream one follow. Then do Evelyn de Cuba and go upstream two follows, do prima again and go downstream to the left one partner, do Evelyn de Cuba again and go downstream two partners.
Cross body to finish with the same partner you started with. Secador - Start with a Setenta and fake the arm over the head, then unravel the Setenta and face your partner, again, fake the right hand in a hair comb.
Do a two handed enchufla and the lead does a hook turn, ending up under the follows arms. On the next eight count, the lead lifts both hands and puts them behind their back forming an X with the follow's arms.
The lead then straighten's their left arm, still behind their back, and turn to the right ducking under the arms. At this point, the lead's head should be at about belly height of the follow and the follow's arms should be unwrapped.
The lead continues to turn to the right and ends up in a hammer lock and continues to turn with the follow another half turn at which time, the lead should be facing outward.
The lead then duck backwards under, keeping the left arm high up on the back and right hand on the follow's right shoulder.
Once the lead has ducked under, the lead lifts both of the follow's hands and spins to the left ending up facing the follow again momentarily, and then spin the follow into a hammer lock with the follow's right hand held high.
Then enchufla, pulling on the hand behind the back of the follow, stopping with the right elbow hooked over the elbow of the follow.
Then back rock, pull the follow out of the hammer lock and the lead then raise their left hand and turns to the left pulling the follow behind.
The lead should then on 7 be facing the follow on the left with the lead's right hand behind their back. Now the lead pulls with the right hand and leads the follow behind, and does a hook turn.
Enchufla and the lead does a hook turn and hair combs themselves Show them the "L"ove. Setenta y dos Complicado - Starts with Setenta y Dos and once hooked do an entire eight count going back and forth, lead facing outward.
Then lead the follow around the back and to the right on the next eight count, then again, with both hands, from right to left and prep outward for a back to back turn.
After the back to back turn, the lead holds the left hand high and the right hand low and spins to right, facing inward into the circle.
On the next eight count, the follow is pulled behind the back from right to left by pulling the follow's right hand.
In the meanwhile, happy dancing everyone! Hey guys and gals, It's been a long time since the last update, but here you go Description update including Dip.
I dedicated this description update mostly to some basic moves but also to the very common Dip that a lot of us perform lacking the right technique.
So I advise to give a quick look there even if you are veteran, you'll might find a useful tip. So, here are the four new descriptions: Variation of the day see Dame dos con Giro page, for more info.
Browse variations by level.Check Contra ; 6: Enchufe Virtual Reality and the World of Gaming | Casino.com, nach der Drehung für die Frauen, müssen Männer nach rechts Platz machen für den zweiten Enchufe. Dile que no bis 8 alles beidhändig. Frau mit Dame abholen und gegen Uhrzeigersinn herum führen Ende wie Evelyn. Miami Evelyn ; Enchufe ohne Partnerwechsel, Rückkehr in die geschlossene Haltung. La Flor de Lisboa.